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- <text id=91TT1395>
- <title>
- June 24, 1991: Songs in a Minor Key
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- June 24, 1991 Thelma & Louise
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 66
- Songs in a Minor Key
- </hdr><body>
- <qt>
- <l>BRIEF LIVES</l>
- <l>By Anita Brookner</l>
- <l>Random House; 260 pages; $20</l>
- </qt>
- <p> A gentle irony rests in the title of this novel, Anita
- Brookner's 10th, for the lives portrayed in it are anything but
- brief. Fay Dodworth, the narrator, is approaching 70 at the time
- she tells her story; her reminiscences are set off after seeing
- an obituary of Julia Wilberforce, who was nearly 80. Both women
- had achieved a certain fame when young, Julia as a
- sophisticated cabaret performer and Fay as a singer of ballads
- on the BBC. Their friendship did not begin then or, in truth,
- ever. They were thrown together because both married men who
- belonged to the same law firm and were forced to socialize. "I
- never liked her," Fay muses about Julia, "nor did she like me."
- </p>
- <p> Within a few pages, Brookner's devoted fans will feel at
- home. For this is another exercise in the author's specialty,
- the weaving of a story that is much longer on atmospherics than
- plot. Thinking about Julia prompts Fay to begin thinking about
- herself: "I am a simple woman, and always was." She gave up her
- singing career to marry; unlike the haughty Julia, who was
- pushed out of the spotlight by age and changing public tastes in
- entertainers, Fay has no regrets about her diminished standing
- in the world. She does wonder why she and her husband were not
- happier together: "Now I realize that it is marriage which is
- the great temptation for a woman, and that one can, and perhaps
- should, resist it." But the car accident that left her a widow
- also took the resolution of this problem out of her hands.
- </p>
- <p> To some tastes, Brief Lives will lack the salt of irony,
- the sense that the narrator is deluding herself about the past
- or revealing more about herself than she imagines. Such moments
- of surprising revelation never occur; Fay is without guile. Her
- resentment at Julia's imperious way with other people seems
- perfectly straightforward: "Why did she, without doing anything
- for anyone, inspire such devotion, while humbler, clumsier
- people like myself seemed doomed to do without?"
- </p>
- <p> But in the end, Brookner turns her modest narrator into a
- figure of considerable strength and poignancy. Fay thinks of her
- old performances: "Only Make-Believe, runs the song. And You
- Are My Heart's Desire. And I'll Be Loving You Always. But
- though the words are affirmative the melodies are in a minor
- key, and sadder than they know." Life has not passed her by. It
- has simply not given her enough time to learn how to live it.
- </p>
- <p> By Paul Gray
- </p>
-
- </body></article>
- </text>
-
-